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Design and Decorating
Terms and Guides


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DESIGN AND DECORATING TERMS:
BASIC DESIGN ELEMENTS IN PLANNING ANY SPACE:
FURNITURE PLACEMENT GUIDES FOR DECORATING:
OTHER DESIGN AND DECORATING RESOURCES:


DESIGN AND DECORATING TERMS:


ECLECTIC: The term eclectic is used to include the mixture of Gothic, Italianate or Tuscan, French Provincial, and Moorish styles. It is a very sophisticated style.

ABSTRACT: Broadly derived from recognizable form but distorted and simplified to non-objectivity.

MODULAR: design characterized by repetitive and interrelated units that can be assembled into multi-functional structures in architecture or furniture.


BASIC DESIGN ELEMENTS IN PLANNING ANY SPACE:

These design and decorating terms are helpful in understanding the many elements that make up design.

SPACE: The interval between pre-established points. A visual entity possessing the actual or illusionary measurement of depth.

SCALE: Comparison of visual elements one to another in terms of their size and visual weight in relationship to a picture plane or in the actual physical environment.

BALANCE: A feeling of equality of equilibrium within a group of elements in a picture plane or in the actual physical environment.

RHYTHM: The flow or feeling of movement achieved by measured repetition of "like" visual units.

EMPHASIS: A "focal point" or main point. Large spaces have more than one focus.

UNITY: The quality of totality and complete harmony in a work of art, or in a room.

HARMONY: Unity of all elements (colors) achieved by repetition of similar qualities.

TONALITY: The orderly planning in terms of selection and arrangement of color schemes and combinations. The subtle modification of a color value.

STYLE: Expressive use of media which gives a work an individual character.

MOTIF: Dominant visual theme in a design, created through the repetition of related elements or patterns.

PATTERN: Repeated elements combined systematically to create a decorative or directional design. A visual unity of a group of similar shapes.

FORM: The organization or arrangement of all the visual elements into a unified whole. The underlying structure or essence of a work of art.

SHAPE: A visual area which stands out from the space around it because of it's difference in value, texture, color, etc.

DEPTH: The illusion of three-dimensional space within a picture plane. The degree of penetration is created by the manipulation of shape, color, line and scale. Measure of the third-dimension.

LINE: The path of a moving point. Any singular mark made on the surface of a picture plane.

MOTION: The expression of movement created through the repetition and strategic placement of visual elements within a given picture plane.

MOVEMENT: A quality of visual animation created by the repetition of visual element, more, the linear flow created by the shapes of a composition.

PROPORTION: The ratio of one part to another. Comparison of visual size and weight of an element by contrast with another.

SYMMETRY: A form of visual balance achieved by the use of identical elements on either side of a vertical axis. SYMMETRICAL, meaning; same on both sides.

A-SYMMETRICAL: Balance in weight but both sides are not identical.

CONTOUR: A line which visually represents the perimeter or edge of a form. In design, this line is the graphic outline or linear definition of an object in space.

COMPOSITION: The careful ordering of the various visual relationships of the elements in a design.

TEXTURE: The surface quality of an object either actual or simulated, which stimulates a tactile response.

HORIZONTAL LINE: Suggests repose and restfulness.

VERTICAL LINE: Suggests stability and height.

DIAGONAL LINE: Suggests chaos; busyness.

POSITIVE SHAPE: Area enclosed by a field or background thus creating a shape.

NEGATIVE AREA: The unoccupied or empty space bounded by the picture plane edges.

RELATIONSHIP: The visual-spatial interaction between composition elements.

OPTICAL PERCEPTION: Refers to our physical way of seeing something and the sensation of recognizing form and the mind comprehension of it.

TENSION POINTS: Dynamic interrelationships of visual forces which combine to create visual stress areas between two shapes.

ECONOMY: More with less. The careful elimination of unnecessary compositional filler in order to arrive at a simple, clear and unified visual design.


FURNITURE PLACEMENT GUIDES FOR DECORATING:

These are approximate guidelines for the amount of space needed for traffic paths and between pieces of furniture. These guidelines will also help you to purchase the right furniture size for the room intended. Check back as we add information to our design and decorating terms section. If you have ideas on subjects you would like to add, please email us and let us know!

LIVING ROOM

Traffic Path Major: 4 feet to 6 feet
Traffic Path Minor: 1' 4" to 4 feet
Foot room between sofa or chair and edge of coffee table (top) : 1 foot +6 inches
Floor space in front of chair or sofa for feet and legs: 1'+6" to 2'+6"
Chair or bench space in front of desk or piano: 3 feet

DINING ROOM

Space for occupied chairs from edge of table to back of chair: 1' 6" to 1' 10"
Space to get into chairs: 1' 10" to 3 feet
Traffic path around table and occupied chairs for serving: 1' 6" to 2 feet
(If arm chairs are used, all space clearances should be increased 2 inches!)

BEDROOM

Space for making bed: 1' 6" to 2 feet
Space between twin beds: 1' 6" to 2' 4"
Space in front of chest of drawers: 3 feet
Space for dressing: 3 to 4 feet in both directions


Site Links:

Back to top of Design and Decorating Terms page
Go to Color Wheel and Color Terms
Go to Color History
Color Therapy
Decorating with Color

Other Design and Decorating Resources:


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Your "do-it-yourself" resource for budget home design, decorating and remodeling information, home repair, plus tips on growing gorgeous vegetable and flower gardens and much more. . .!
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